I feel your pain, Mr D.
So, I've now listened to the whole of the second CD. Lots of great stuff.
The New York Demo of 'Thieves Like Us' is almost unrecognisable. Sounds a lot more 'Arthur Baker'. Not as wonderful as the finished article, obviously, but a really interesting 'demo'. Who would've thought that the song would change so dramatically.
The Blue Monday versions are equally exciting to hear. The one with the 'real' drums is quite frankly odd. The other writing session is much more like the finished article and is my favourite of the three. The 'instrumental outtake' veers into 'The Beach' territory, which does makes sense.
'Murder' is pretty chaotic and a bit muddy, but still fab.
So, on first listen, the ones that really grab my attention are:
5-8-6 (Writing Session Recordings 1982) (much more like 'Video 5-8-6'; bloody brilliant)
Your Silent Face (Writing Session Recordings 1982) (truly gorgeous, with lovely guitar parts)
Thieves Like Us (New York Demo #1 1983) (so very different)
Blue Monday (Writing Session Recording 1982 - the longer version)
However, every track is cool and interesting in its own right.
Going back to that 'Video 5-8-6' 'easter egg' on the DVD, I just wondered if Johnny James can shed some light on it.
It looks like filmed footage of the video (i.e. taken with a camcorder), rather than the actual video itself, straight from the source.
This makes me think that this is actually taken from someone's film of the opening of The Haçienda. I believe that's the only time 'Video 5-8-6' has ever been shown to the public. Is it from this night, JJ?
If it is from the opening in May 1982, is there any other video footage from that night?